Author Archives: StephenRCase

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About StephenRCase

I write and teach about the history of astronomy. My research has appeared in Historical Studies in the Physical Sciences, Mercury, and is forthcoming in Endeavour. My dissertation examines the stellar astronomy of the 19c British astronomer Sir John Herschel. I also write fiction, which has appeared in Beneath Ceaseless Skies, Lore, Shimmer, Andromeda Spaceways, AE: The Canadian Science Fiction Review, and more. My first collection of short stories, Trees & Other Wonders is available on Amazon. For more on my research, see my Academia page. You can also visit my website @ www.stephenrcase.com.

Called to the Fire

Called to the Fire: A Witness for God in Mississippi; The Story of Dr. Charles JohnsonCalled to the Fire: A Witness for God in Mississippi; The Story of Dr. Charles Johnson by Chet Bush

My rating: 3 of 5 stars

After graduating with my bachelors at Olivet Nazarene University, I wound up in a graduate program at the University of Mississippi. There, in Oxford, Mississippi, my wife and I started attending the single small Nazarene church in town. We hadn’t been members there long when a young pastor and his family arrived. Chet Bush quickly became a great friend and mentor as well as my all-time favorite pastor, for a lot of reasons.

One of those reasons was that he didn’t want to preach.

That’s not to say he wasn’t a good preacher. He was. He was a great preacher, but he was a great preacher because it was clear he wasn’t doing it because he loved speaking or loved being in front of people. He was doing it because he felt like he needed to. More than that, it was clear he was doing it because he wanted to teach

And perhaps most important of all, it was clear he was doing it because he wanted to learn.

Fast forward a few years. I’m back in the Midwest, teaching at my alma mater, and Chet, after a brief peregrination to Tennessee, has returned to Mississippi as a graduate student in the history department at Ole Miss. Along the way, he’s written a book that I think captures a lot of what Chet himself is about. More than that though, in a weird way I found this book on the life of a Nazarene minister active in the Mississippi Civil Rights movement a call to the entire denomination regarding what learning, scholarship, and ministry can really mean.

If you grew up in the Nazarene church, like Chet and I did, you probably remember missionary books. They were an attempt to pass on the denomination’s history and heritage. They were usually stories of the heroes of the denomination (often but not always foreign missionaries), how they came to faith, and what they ended up doing with their lives. I don’t remember the specifics of any of them, but I remember how they felt.

With Called to the Fire, Chet has written something more than a Nazarene missionary book. In some ways though, it has that familiar feel. The book is the story of Charles Johnson, the African American pastor of a Nazarene church in Meridian, Mississippi, and the role he played as a leader in the community during the height of the Civil Rights movement, during which time Johnson briefly took the national spotlight as a witness for the prosecution during the famous Mississippi Burning trial.

Johnson’s personal journey took him from growing up in rural Orlando and coming to faith in a Nazarene revival there (which is where the book feels most like those missionary books I remember from my childhood), to school at the Nazarene Bible College in Institute, West Virginia (more on this in a moment), to his first ministerial posting at ground zero of the Civil Rights struggle. A major portion of the narrative is the young pastor’s wrestling with God to accept what he felt was God’s calling to overcome a young black man’s fear and take his family and his life into the heart of the country’s most segregated state during one of the most violent periods in its history.

The book is brief but covers the pastor’s career up to the present day, retold by Chet and built on interviews with Johnson, whose direct quotes pepper the account. Because of its brevity, the work is of necessity cursory, not delving much into the politics of a segregated denomination or the broader context of Johnson’s personal experience. Much of Johnson’s years in Meridian are passed over quickly, with the narrative coming into focus on events like Johnson’s first day in Mississippi, his days at the trial on the brutal murders of three Civil Rights workers outside of Meridian, his experiences with Martin Luther King, Jr., and Johnson’s final reconciliation with one of the defendants in the trial.

It’s a good book (though, as Chet admits, looking back on it with the historical training he’s already received at the University of Mississippi, there are things he’d do differently), but most importantly it captures the story of someone whose life and actions might have gone largely ignored or been forgotten in his own church. This is where the book for me was a doorway into understanding something bigger regarding my own denominational heritage. (And yes, I’m going to consider myself culturally and contextually a Nazarene for the following discussion, even though I’m no longer a member of the denomination.)

Here’s the thing: Charles Johnson’s story opens onto a history that’s either been ignored, forgotten, or was simply never told. My first clue was the mention of the Nazarene Bible College in Institute, West Virginia, where Charles Johnson studied. I know a bit about the history of Nazarene higher education, and I had never heard of this school. It was clear from Chet’s account that this was a historically black college, which Johnson attended because Trevecca Nazarene College was closed to black students at that time. (I hadn’t realized Nazarene schools in the south were segregated.)

In the book, Chet talks about how Johnson was assigned to the church in Meridian, Mississippi, by Warren Rogers, who was superintendent of the Gulf Central District of the Nazarene church, which encompassed sixteen states. Now, I admit that I didn’t read this portion of Chet’s narrative carefully enough, because I only realized the importance of this in a later conversation with him by phone. I was asking him about there being a single superintendent over such a large district and said that I hadn’t realized the entire southern half of the United States was basically one district at this point in time.

It only slowly dawned on me in speaking with Chet that I had misunderstood, and I actually stopped the conversation to make sure I was hearing correctly: this wasn’t the only Nazarene district in the South. This was a segregated, separate black district, geographically overlapping several white districts.

I had to let that sink in for a minute. Up until (I think) 1968, there was a separate district in the south for black Nazarene churches. Their ministers went to a separate Nazarene college (which no longer exists), and they had a separate superintendent.

What floored me most about this was not the implications for race and reconciliation in our own denomination. What floored me most was that I simply didn’t know. I didn’t know the history of the church I’d grown up in. And in asking around since then, I get the idea that no one else knows this either.

Here’s where it comes home for me, and in this context it’s not about race. It’s about learning, scholarship, and ministry. Because Chet, I’m sure, is going to go on in his academic career at the University of Mississippi and do good work. I hope he does scholarly work on the history of the Nazarene church in the South, especially the history of the Nazarene Bible College of Institute, West Virginia, which apparently has no archive and knowledge of which exists now only in the memories of aging African American ministers across the country. That’s a story that has broad implications apart from its importance to the denomination and deserves to be explored.

My fear though is that as a denomination we don’t have a scholarly forum on which work like this can be disseminated and discussed. Sure, we have individuals at individual institutions who are doing good work, and Chet’s book has found a welcome audience at, for instance, Trevecca Nazarene University (where Charles Johnson was eventually awarded an honorary doctorate).

But I don’t see us as a denomination having a place to dialogue with relevant, important, ongoing work by Nazarene scholars like Chet (or, for instance, Tom Oord) in a pan-Nazarene academic context. That seems a shame, especially for a denomination with a rich history, a tapestry of vibrant institutions, and a host of issues from our heritage—from racial segregation to science and faith topics to gender and sexuality to our stance on alcohol to our understanding of holiness—that are begging for dedicated, sophisticated academic thought and dialogue at a denominational level.

A modest proposal: what about a society for Nazarene scholars and those pursuing scholarship in Nazarene contexts? It would be open to anyone, with a small annual membership fee that could sponsor the publication of a (for now) annual peer-reviewed journal. The pages of the journal would be a place for Nazarene scholars to pursue and explore these topics. I want to read informed scholarship about the history of the Nazarene church in the South (and throughout the world). I want to know more about the relationship between holiness theology and higher education. I want a place where scholarly voices in the Nazarene denomination can interact.

Heck, maybe we could even get together once every four years or so.

The thing is, our denomination has the resources and it has the need. As Chet’s account shows, there’s lots of good work being done and still to be done, but I don’t feel right now that we have a place to share this at a denominational level. Speaking from my own experience, I feel fairly disconnected from the scholarship happening at other Nazarene schools outside my own particular discipline.

Does anyone else feel the same way?

The Road to Little Dribbling

The Road to Little Dribbling: Adventures of an American in BritainThe Road to Little Dribbling: Adventures of an American in Britain by Bill Bryson

My rating: 2 of 5 stars

Bill Bryson is probably the luckiest writer alive, for a few reasons.

For one thing, my wife adores him. This should give me abundant hope, as it implies that as I get older and grouchier, so as long as I remain bumbling, mildly humorous, and appropriately annoyed at the grammatical foibles of young people, she will continue to find me endearing. (She might even start reading my books.)

But he’s also lucky because the man has made a successful career of traveling about investigating interesting places and writing about what he finds. He gained all the credibility he’ll probably ever need doing this and doing this very well in his excellent articles for National Geographic. But now that he has this credibility, he can do whatever he wants with it. He can go where he pleases and season his accounts with whatever historical anecdotes strike his fancy and as much griping about litter, economic depression, or kids these days he feels inclined to include. At this point, he could conceivably return to the United States with the intention of writing a book on highway rest areas, and it would be an immediate success.

I hope it’s clear here how much I envy this guy.

Yet I also at times—and especially in this, his most recent work—find him quite frustrating. His bits of history on the places he visits, for instance, are presented without any real context. Of course, in this book he’s under no obligation as a historian or sociologist (which, to be fair, he never pretends to be) to build these observations into any thesis or use them as arguments toward anything beyond comments like “England is absurd and delightful” or “Things are getting pretty crummy here.” The Road to Little Dribbling is just Bryson ambling about Britain, sort of traveling from the far south to the far north, and also sort of retracing some of his steps from his great work, Notes from a Small Island. Really though, it’s just him being his familiar, garrulous, and somehow endearing self.

Now, Bryson has done fine work—let’s get that straight. I’m rereading his science book right now, and it’s solid. More than that, it’s written with what makes him so appealing: eyes wide with genuine wonder and delight. “This is your universe,” he says. “Pay attention.” I remember Notes from a Small Island being similar: exploring the wonder of a new and genuinely wonderful place. But a lot of that seems to be lacking in Little Dribbling. This is an older, more tired, grouchier Bryson taking us on an aimless tour with sidetracks to wait for a new baby’s arrival or attend a soccer match with the grandkids. Maybe that should make it more endearing, but instead it gives the sense that this whole thing is an afterthought, an excuse to write a book in which he can comment on whether shops have opened or closed since the last time he was in town, whether the village he’s passing through has a good high street, and how rude the clerk in the hardware store is.

In places it’s quite maddening, both for Bryson, clearly, and for the reader. It’s maddening for the reader because Bryson could do so much more. In some places, for instance his visit to Avebury, he gives wonderful and astonishing context on the standing stones. Yet in other places his comments are simply throw-away lines about certain museums being nice, pleasant, or interesting without any details. In one instance he explains the remarkable situation of the manor of a dwindling family being finally donated to the National Trust and turned into a museum and tells how some rooms hadn’t been opened for decades, but we get very little insight into what this place actually was like. (It was musty, according to Bryson.) Or where he points out the oldest public park in the world and explains that it’s a model for pretty much all other city parks, but then does nothing to actually take us there in his prose.

Maybe that’s my primary complaint. I’m used to Bryson taking me places. Here I just felt like I was getting an account of Bryson going different places and how they affected his emotional state. There’s some irony here too. Bryson apparently has become something of a patron saint for landscape conservation, walking paths, and eliminating litter in Britain. And yet in this book we spend a good deal of our time with him in the car, zipping from one sight to another, along the way getting updates about the things that annoy him about politics or culture or long expositions on the downfall of proof-reading followed by imaginary dialogue of what he’d like to tell people who are unpleasant to him.

A final complaint: we know he’s well-read, but it taxes even the most charitable reader’s patience when Bryson approaches a place like Blackpool and offers a solution to its economic and social woes in less than a page. I don’t begrudge him offering a solution, but it would be wonderful to have had some suggestions on where to dig deeper for information on Blackpool or any other interesting place Bryson finds himself. Bryson knows a thing or two about every place he visits. Where does he learn all this? He’s been my guide for the book, I’d like some guidance on where to go next to learn more. I’m not asking for footnotes or endnotes (okay, maybe I am), but at least a list of suggested reading would have been helpful.

Yes, my annoyance is probably primarily motivated by jealousy: I want to be there seeing those things and writing (or complaining) about them. In fairness, I’d likely be just as grouchy (hopefully to my wife’s delight). But I’d certainly have less credibility and undoubtably do a much poorer job than Bryson has done here.

Sandman: Overture

The Sandman: OvertureThe Sandman: Overture by Neil Gaiman

My rating: 4 of 5 stars

I was the Dream of the first created things: those that sleep in the sleep beneath space.

Neil Gaiman is the Sandman, can we all agree on that? In as much as the character has created him and he has created the character, Morpheus—he of the brooding visage and the black shirts—is in some sense certainly Gaiman’s idealization of aspects of himself. And it’s also true that Gaiman gets to create the world of Dreaming, gets to guard and define it, just as the Sandman does. It’s a narrative artistry that works here. On the canvas of a comic embellished with incredible artistry, Gaiman’s strength in creating idealizations of form and dialogue is untouchable. Lines like the one above float on pages of color and wonder. They are, I think, much harder to carry off in a novel.

They say every story must be told at least once, before the final nightfall.

As a kid I loved Marvel’s Infinity War, in which cosmic forces like Order, Chaos, and Infinity went to war in full color spreads across the panels. This is more or less what we get in Sandman: Overture, a six-issue collection that is faster and more epic but with less subtly and texture than was developed in the full seventy-five issues of the Sandman series itself. Of course, this prequel lacks the scope of the entire series, but it also plays for higher stakes. Gaiman was relatively unknown at the start of his run in Sandman; now he’s a legend returning to his homeland.

These stakes are reflected in the narrative: Dream has to save reality itself. Yet the collection of powers at play here teeters on the baroque: the enigmatic First Circle (should I know who they are?), Dream’s parents, the Endless themselves, and the potential death of the universe. I read the original Sandman series years ago, so this straightforward read was more for the epic wonder and beauty of the thing; a closer reading would probably bring to light all the nooks and crannies Gaiman has filled into the texture of the original Sandman. Even the lapsed fan though can appreciate finally learning how Dream came to be captured at the very beginning of the series.

Dream attempts to save the universe, with the help of a little girl named Hope. Trite? A bit, if it wasn’t so gorgeous. Only Gaiman, aided and abetted by the overwhelming artistic genius of J. H. Williams III, can get away with lines like this, Dream explaining his situation to his mother:

I was expelled from the universe, by stars caught up with rhetoric and infection. I’m currently inside a black hole.

Does it work? Of course it does; it’s Gaiman. But it works because Gaiman gets to make his own rules. In a story that deals with embodiments of psychic principles projected on a cosmic scale, you don’t have to worry about self-consistency. Not matter what finality with which Dream is cast into a black hole at the end of one chapter, his mother can stop by for a chat and his brother can tug him out with relative ease a few pages later. How did the ship get into Destiny’s garden? The simple answer is magic, and it’s the magic bleeding off the pages of this work that makes it all right.

There is (of course) a dreamlike quality to the whole thing. It hangs together while you’re reading it but upon waking the logic starts to unravel and—like a dream—you’re left with only memories and images of beauty.

Which is probably the point.