Victoria: The Queen: An Intimate Biography of the Woman Who Ruled an Empire by Julia Baird
I remember an evening class session my first semester as a history PhD student at Notre Dame held in the living room of a professor who has since passed away in which this incredibly erudite historian made a case for empire. I don’t remember exactly what she said, but the crux was a contrast between the relative peace that prevailed between various peoples who saw themselves as part of a single empire against the contemporary strife of nationalism among the ashes of collapsed empires. I remember that many of us were still young enough to find this idea shocking, distasteful, and certainly heretical to our American ideals of democracy. The democratic, in-fighting cities of Greece were the good guys, after all. The absolutist, domineering emperor of Persia was the singular Bad Guy.
Because that’s the problem with empire, isn’t it? You need an emperor. It never seems to work to unify a disparate collection of nations or peoples under the authority of an elected body. (Or at least, it didn’t work for the Romans for long, and one could argue whether the United States is in some respects simply a relatively young experiment in democratic empire-building.) It doesn’t work because an empire doesn’t really want all its constituent pieces represented. It just wants them unified, and the best way to do that is to place them all under the authority—perhaps only a symbolic authority, though sometimes that’s the strongest authority of all—of an emperor.
We’ve forgotten what a Christian idea this is. Christianity was not born in democracy, nor does it tend toward it. Every day, Christians around the world pray for the coming of a kingdom, an empire with a benevolent Prince of Peace as the ultimate, un-democratic authority. This was an ideal I was first introduced to in Gene Wolfe’s Book of the New Sun, when the ghost of Severian’s tutor walks his pupil through what Severian assumes are progressively higher and more developed forms of government until the tutor asks in what relation Severian stands with most loyal, obedient companion. Democracy, Wolfe seemed to be saying, does not have a monopoly on virtue and loyalty. Indeed, these might flourish more easily in an empire ruled by a worthy leader. (And much of the plot of this five-volume epic is the story of Severian becoming a worthy emperor.) Famously atheistic Terry Pratchett makes a similar argument in the character of Lord Vetinari, the benevolent dictator of the Discworld’s most fabulous city.
This isn’t an argument against democracy, or even an argument that one form of government is better or worse than another. But it is an argument that to understand other peoples and periods (and maybe even our own theology) we need to at least consider giving up the notion that democracy is inherently and without question the best or the natural progression of all states. When we do, we might be in a position to understand the life and significance of someone like Queen Victoria.
As Julia Baird sets out in this sweeping biography of the life of the queen (and empress), Victoria reigned over an empire that during her lifetime grew to encompass a quarter of the world’s inhabited landmass and hundreds of millions of subjects—arguably the largest empire in history. Yet her life and reign (second in British history only to the currently-reigning queen) spanned the industrialization of her empire and a growing tide of liberal reforms. Under her rule (though not always with her support), Reform Bills expanded the voting franchise, and new laws began modernizing women’s rights and protection of children and workers and even animals (through anti-cruelty laws). Throughout a reign lasting from 1837 to 1876 (she came to the throne at the age of only eighteen), Victoria balanced being a figurehead and yet a real, forceful symbol of devotion to empire with the exercise of true political power.
Baird does a tremendous job mining primary sources and balancing her treatment of Victoria as a person with the context of the political and social world that was being transformed around her. From her stormy relationship with her mother to her adoration of husband Prince Albert and her veneration of his memory after his death decades before her own, to stubborn battles of will with the various Prime Ministers she outlasted and outlived, to her (previously often censored) relationship with her Highlands servant John Brown, Baird shines the light on Victoria the woman—often stubborn, selfish, and self-interested, but just as often stubborn, indomitable, and compassionate. Throughout, Baird highlights what it meant, for men and women, to have a woman as sovereign in a period when the rights of women in Britain were still developing.
This treatment of her personal character is balanced with enough context to help the reader place Victoria and her family in the center of shifting European politics and historical developments. Her children and grandchildren were scattered across the royal families of Europe, with repercussions up to the time of First World War. The ultimate fate of her granddaughter, wife of the doomed Tsar, in the Russian Revolution is well-known, but I had not realized the intricacies of what the rise of Prussia in the late 1800s (eventually ruled by Victoria’s grandson Kaiser Wilhelm) implied for family loyalties even before the Great War. Baird does a good job giving an overview of these complexities (and among the German kingdoms this could easily become dizzying) without getting lost in the details.
Finally, Baird finds a balance between the civilizing aspects of empire and the brutal realities this often entailed—usually for subject peoples. She doesn’t shirk from outlining the forgotten wars that played out on the fringes of the empire, like the Taiping Rebellion in China that she says cost millions of lives. At the end of Victoria’s reign, the Boer War in South Africa was pitting British imperialism against descendants of Dutch settlers in a conflict that put to rest ideals of empire as a benevolent force in light of the realities of forced relocation, concentration camps, and a naked bid for mineral wealth. Tangentially, Baird’s account outlines the true magnitude of the “Scramble for Africa”, in which colonial powers carved the continent between them and laid the groundwork for conflicts that would explode across Europe in the First World War. It made me wonder whether a more nuanced exploration of the conflicts that have shaken Europe might usefully recast them in light of the consequences of exploitation on the edge of empire, which historical treatments have often kept off the primary stage of history.
In my own fiction, empire often functions as a monolithic background in my fantasy. Empire is an easy background for epic. Allegiance to a distant, aging, perhaps half-forgotten emperor has something of romance, and I’ve looked at what loyalty to a larger ideal embodied in the person of an individual in a few of my published stories—”The Glorious Revolution” and my Wizard’s House sequence. I’ve also explored what the character of an empress forced into power might be like, in “Deathspeaker,” which is forthcoming in Beneath Ceaseless Skies. But all fiction is only a mirror, and it is only as rich as the history that informs it. I’m coming to realize that books like Baird’s and the characters like Victoria who return to life through them are essential for literature and that the interplay between history and fiction– even fantasy– might be closer than I realize.
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