Tag Archives: inspiration

Son of Laughter

The Son of LaughterThe Son of Laughter by Frederick Buechner

The beautiful always surprise us. Everything else in the world we expect as we expect weariness at the day’s end and sun at waking. (171)

I’ve read a bit of Frederic Buechner, though not nearly as much as he deserves. Godric remains a favorite. In that novel, I especially love the way Buechner writes the prose with a cadence that makes it feels like I’m reading a poem or a song.

This latest, Son of Laughter, was recommended by a good friend, and it tells the story of the Biblical patriarch Jacob, the son of Isaac (whose name means laughter), the son of Abraham, who was a friend of God. The story is familiar—or at least the bones of the story are—to anyone who has read the Old Testament account. But what is truly wonderful about this book is the way Buechner takes the familiar Sunday school account and restores the foreignness and the strangeness that our familiarity with the story has worn away.

Buechner takes the reader back to the earthy, alien, near-savage, almost pagan reality of a dusty tribe of desert nomads who have a peculiar relationship with an unusually singular deity. And he does this while remaining true to the source material yet simultaneously resisting the urge to color the entire account with an obvious Christological teleology (as would no doubt be the case in your standard Family Christian Bookstore retelling).

Instead Buecher tells the story of a tribe learning about this deity they call only “The Fear,” trying to understand (in the midst of great pain and violence) what the Fear’s promise that they will grow to be a great “luck” to all the people of the earth means to them. Along the way, Buechner’s perspective continually reverse-telescopes the view of Jacob and his situations, reestablishing distance between our world and theirs. Surprisingly, this helps explain some things (like circumcision) that seem inexplicable to our modern sensibilities.

The moon is a shepherd with a pitted face. He herds the stars. (56)

The narrative becomes strained in the second portion of the book, where the reader moves from the perspective of Jacob/Isreal to follow Joseph’s time in Egypt. Buechner still tells the story through Jacob’s perspective, which enhances the dream-like distance. Yet this portion remains integral to the story, because the consummation of the promise is so wrapped up in what happens to Joseph in Egypt.

The book ends without any sentimental reassurances about God or his promise to Israel. In fact, in one conversation Jacob admits to his son that the Fear’s promise is only for the living and that Jacob does not know what the Fear has in store for the dead. Buechner leaves the reader with only the glimmer of a greater hope on the horizon. Along the way though, he expertly shows the story of the patriarchs through eyes that make them simultaneously incredibly alien and richly alive.

The Fear gives to the empty-handed, the empty-hearted. In return it is only the heart’s trust that the Fear asks. Trust him though you cannot see him and he has no silver hand to hold. Trust him though you have no name to call him by, though out of the black night he leaps like a stranger to cripple and bless. (184)

With: Reimagining the Way You Relate to God

With: Reimagining the Way You Relate to GodWith: Reimagining the Way You Relate to God by Skye Jethani

I don’t often read contemporary devotional books. The market seems a roar of shallow, consumerist noise, and I don’t know enough about contemporary Protestant popular theology to know who is speaking well. But occasionally a book will fall into my hands, and I would like to believe that sometimes the books you get by happenstance are the books you are meant to read. Skye Jethani has spoken on my university campus in the past, and copies of his book were given to some of the faculty. Which is how (after it sat on my shelf for about six months) I found myself reading With: Reimagining the Way You Relate to God.

In this book, Skye takes an important look at a set of four contemporary heresies regarding how we understand our relationship with God in Christian practice today, and he packages them in a very clever (and effective) metaphor built around the prepositions over, under, from, and for. He never uses the term heresy, but that’s what he’s discussing: four postures that we take regarding God and that twist, undermine, or corrupt what our relationship with God really should look like. I found the analysis and critiques of these four postures to be the most helpful and insightful portion of the book, as we all live into different aspects of these in our own lives to some extent. In this respect, the book was good for some sharp self-reflection.

Skye summarizes the four positions as these:

Life under God: seeing God as an arbitrator of certain moral guidelines that we must follow to be rewarded with salvation. We are sinners, and our relationship with God is about satisfying these rules and obligations.

Life over God: related to our approach to scripture or the natural world from a perceived position of power or knowledge. In either case, there are certain God-ordained principles (for obtaining wealth, happiness, influence, or security), and we must find and apply to life.

Life from God: seeing God as there to supply my needs and desires as a consumer. My relationship with God is a posture of approaching God for what the divine can provide me with.

Life for God: the mission that God gave me is central, and I evaluate myself and my relationship with God in terms of how well I am fulfilling or accomplishing that mission.

As Skye points out, there are aspects of truth in each of these postures, which is what makes them dangerous. When taken too far, they subvert a proper understanding, a right orientation, with God. All of them put the emphasis on things beside God; they all use God as a means to address what Skye calls the basic aim of religion, trying to address our fears and insecurities with a source of power. Against these four, Skye argues for an orientation that is centered on life with God.

And here’s where the book begins to get fuzzier. It’s easier to explain what things like God and our relationship with God are not (as Skye does in the insightful first portion of the book) than it is to say what they are. It’s easier to diagnose heterodoxy than define orthodoxy. This is the apophatic tradition: the ability to say what God is not but the inability to define God’s essence. The portions of the book where Skye tries to really examine what life with God looks like, taking a chapter each on the qualities of life with God—faith, hope, and love—fell a bit flat to me. They were gesturing toward something beyond a system of information that could be passed along in a text. They were pointing beyond the text itself.

But Skye got there in the end, in the very end. In the appendix, actually. I think maybe the paradox of any book about spirituality is that the truths it is trying to communicate can only be experienced beyond the book, in the context of practice and community. For Skye, the centerpiece of life lived with God, in communion and relationship, is a life with regular periods of quiet contemplation. He hit on this tangentially in examining the motivation for lives of love in some examples of contemporary saints, but he spelled it out more explicitly in the appendix, where he outlined three types of contemplative prayer.

The paradox of the book I think can be summed up in this: in the first half I can understand intellectually what’s wrong with the four heterodox postures Skye so convincingly discusses, but in the second half I can only experience the rightness of life with God through practices and prayers that the book itself (or really any book) cannot contain.

Inheriting Paradise

Inheriting Paradise: Meditations on GardeningInheriting Paradise: Meditations on Gardening by Vigen Guroian

My rating: 2 of 5 stars

The rain over the past several days has meant the plants in my meager garden have grow wild, chaotic, threatening to slip beyond the control of a weeding hand. It doesn’t help that I’m already a bit of a lazy gardener. It’s important for me to have growing things in the ground– my ground– every season, but I don’t spend time each day in the garden. I kind of let things– cucumbers and tomatoes, mainly– run riot.

I have two shallow raised beds in the backyard. This fall I may add a third. One of them is devoted to different varieties of cucumbers with basil plants holding down the corners. There’s a long trellis I made out of old chicken wire running down the middle. The cucumbers are gathering themselves right now in a slow green boil, like they’re gathering momentum to leap up and over it, as they will soon, burying it in a long leafy wave. I’ve always had good luck with cucumbers.

The second bed is more unruly. Half of it is devoted to a weedy onion patch, though the long fingers of the onions still have a comfortable lead on the grass growing up between them, for now. I dropped onion sets into this side of the garden haphazardly and without plan, so the onions have come up in bedraggled rows. The rest of the bed is split between four large tomato plants that have fountained up as bushes, spilling languid green arms in all directions, and a row of potato plants that I’m not sure what to do with. I’ve never grown potatoes before, and as lovely and thick as they look above the ground, I don’t know what that means beneath the soil.

In one corner of this bed I have an uneasy alliance with a bunch of mint. At one time this mint spread across the back of the house and my wife spent a long afternoon pulling it out of the flower bed where it had thrived for perhaps decades. I have a soft spot in my heart for the plant though, because I pull a leaf to chew every time I walk past the garden and I boil it to make mint tea for my kombucha. I have it walled off in its own corner of the raised bed, though my walls don’t go deep enough to actually do anything to hold it back. That’s just me, pulling out the constant runners that keep creeping into the tomatoes.

You’re supposed to be able to tell something about a man from his garden, and if this is true then my garden says I’m enthusiastic, overly optimistic, and naive. I know there are supposed to be growing things on my land, so I plant them, but I’m never quite sure I have the hang of what to do with them once they go crazy, as they do each season. I like to watch the garden come to life, but I lack artistry. Fortunately, there’s not a lot riding on my gardening. I don’t rely on it to provide a major source of my food. If Vigen Guroian is right though, I do need it to provide food for my soul.

The garden is the oldest analogy. As Guroian points out, man was placed in a garden at creation. Whether or not this is “historical” truth, consider what it means as literary truth. Man begins in some kind of order, as some kind of caretaker in relationship with ordered creation. Wildness and wilderness only come later.

For Guroian, an Armenian Orthodox theologian, gardening is more than a hobby or an ecological mission: it is theology, lived in the context of the soil. The annual death and rebirth of his garden is a reflection of the theological– the cosmological, he would argue– truths exemplified in the liturgical life of the Church. Indeed, in this slender volume the chapters are divided by Christian holidays, with Guroian reflecting on the beauty, significance, and meaning of what’s happening in the garden in time with what’s happening in the liturgical year. The garden is a way of participating with creation itself in worship, in bearing fruit joyfully before God. For Guroian, as he shares his own battle with depression, it’s also a means of healing.

The mirror for all this is the prayers and hymns of the Armenian Orthodox liturgy. Guroian pulls from this throughout the year– as well as scripture and occasional quotes from the Fathers or other writers– to draw the reader into an understanding of the cycles at work unseen beneath the turning of the seasons. This might be a central claim of anyone who gardens: for those of us who have lost touch with the land, the circle of the year turns largely unseen. We skim along the skin of it, but we don’t reach deeply and touch what it means.

For an Orthodox Christian gardener like Guroian, the claim might go deeper: most Christians today are like the non-gardeners, out of touch with the deeper turnings in the liturgical life of the Church. We see Easter and Christmas come and go like non-gardeners see certain fruits and vegetables appear and then disappear (though they don’t even really do that anymore) from the markets. But there’s a deep connection between the two, and Guroian believes– in keeping with mystical Orthodox theologians– that the story of the Church, the entire story of redemption and deification, is written in the soil. He would have you know this when you garden as well as when you sing or speak the liturgy.

For all that I agree with Guroian’s message here, I was disappointed with the book. It’s a slender volume that despite the richness of his prose and borrowed texts felt woodenly didactic. The cosmic significance of gardening was spelled out writ large, but what was lacking was the specificity that makes such sweeping analogies and metaphors truly powerful. I learned the significance of gardening, but what of the significance of tomatoes? What of cucumbers or mulch? What of the back bent in labor? They’re all here but passed over, unexplored. I was hoping for something more along the lines of Chet Raymo’s Soul of the Night; whereas Raymo’s theological claims are far vaguer, his treatment of natural (in this case astronomical) phenomena are compelling, concrete, and sublime. For all the truth Guroian is touching here, the execution came off a bit too trite.